Joan had no idea the park contained such pleasant by-ways. But for an occasional perambulator they might have been in the heart of the country. The fallow deer stole near to them with noiseless feet, regarding them out of their large gentle eyes with looks of comradeship. They paused and listened while a missal thrush from a branch close to them poured out his song of hope and courage. From quite a long way off they could still hear his clear voice singing, telling to the young and brave his gallant message. It seemed too beautiful a day for politics. After all, politics—one has them always with one; but the spring passes. And herself? All her world had been watching and would know. She had counted her chickens before they were dead. She had set her cap at the man, reckoning him already widowed; and his wife had come to life and snatched it from her head. She could hear the laughter—the half amused, half contemptuous pity for her “rotten bad luck.” She would be their standing jest, till she was forgotten.!

Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.” A little laugh escaped her.

It represented a long, thin line of eminently respectable ladies and gentlemen in early Victorian costume. The men in peg-top trousers and silk stocks, the women in crinolines and poke bonnets. Among them, holding the hand of a benevolent-looking, stoutish gentleman, was a mere girl. The terminating frills of a white unmentionable garment showed beneath her skirts. She wore a porkpie hat with a feather in it. “I know you are only doing it because you sympathize with his aims and want him to win,” acknowledged the good lady. “But I can’t help feeling grateful to you. I don’t feel how useless I am while I’ve got you to run to.” Joan murmured her thanks.